Choral/Hip-Hop Theater Work
for local participants

(Be)longing is scored for voices & stones
(Be)longing is a choral/hip-hop oratorio prompted by the April 16th Tragedy at Virginia Tech, where a Korean-American student shot 49 people, killing 32, then himself. College students, faculty, staff, and local leaders form the backbone of this performance where mental health, music, neuroscience, sociology, and theatre intersect. Developmental residencies culminate in performances and events leading up to the 10-year memorial in 2017.

March 17-18, 2017
Moss Arts Center · Virginia Tech, Blacksburg

April 21, 2017
MDC Live Arts · Miami Dade College

June 2017
International Festival of Arts & Ideas · New Haven

TBA 2018
Center for the Performing Arts, Penn State

September 2018
Yerba Buena Center for the Arts · San Francisco


Program Notes
School shootings are a challenging subject. Debates ping pong around gun control, the second amendment and civil liberties. Trigger broadens themes surrounding shootings in America by incorporating the perspectives of people who work and study in university settings with a responsive theatrical choral project. Voices both murmur and soar in a project about belonging and isolation. With listening and empathy as core experiences of this musical work, (Be)longing strives to encourage, rather than silence, numerous voices.

This staged choral work serves as a touchstone for Activate (Be)longing: thematically-related artistic, scholarly, technology, and other resources developed by local groups. Individuals and organizations are invited to think about forgiveness and justice, freedom and safety, as well as other themes related to education, guns, race, and other topics sparked by (Be)longing. Individuals from campus clubs, civic organizations and audience members converse through the creation of art as strategies to prevent school shootings.

Activate (Be)longing brings audiences, experts and performers together in artistic spaces of imagination and impact as active negotiators in topics that have divided Americans, such as
second amendment rights and mental health profiling. Both the core performance of Trigger and related events in Activate (Be)longing serve to broaden and deepen themes to build communities to end violence.

(Be)longing, initially titled Trigger, is the second work in a trilogy of music theatre works about what Americans fear, by composer Byron Au Yong and librettist Aaron Jafferis. The first is Stuck Elevator.

Creative Team
Byron Au Yong, composer
Aaron Jafferis, writer

Charlotte Brathwaite, director
Ni'Ja Whitson, choreographer
Ben Zamora, design

(Be)longing is scored for singers, rappers and beat boxers who play stones. With an auditioned cast chosen from the local community, the creative team guides participating musicians to collaborate on a performance specific to the host venue. Additional instrumentation can be arranged according to the talents of the cast.

2014 Research & Writing Residencies
2015 Community Development Residencies
2016 Production Residencies
2017-2018 Performances & Touring

Thomas O. Kriegsmann, producer
+1 (917) 386-5468
tommy (at) arktype.org

International Festival of Arts & Ideas (research & writing residencies 2014, 2015)
Lucas Artists Residency Program at Montalvo Arts Center (2016)
Sundance Institute Theatre Lab at MASS MoCA (writing residency 2014)
Virginia Tech Center for the Arts  (research & writing residencies 2014, 2015, 2016)
Westminster Choir College (writing residency & teaching 2016)
Weston Playhouse (writing retreat 2015)

Dedicated to intercultural collaboration, Byron Au Yong composes songs of dislocation, music for a changing world. He teaches in Performing Arts & Social Justice at the University of San Francisco.

Byron Au Yong & Christopher Yohmei Blasdel: BreathPlay

Byron Au Yong: Kidnapping Water: Bottled Operas
Kidnapping Water:
Bottled Operas
Byron Au Yong: Yiju